The Boston Globe
October 2023
“The last of the great Boston tailors.”
In a city that has lost most of its old craft houses, Barrett & Sons is a quiet counterexample. Ninety-five years in the same room, doing the same thing, well.
About the house
The house was opened by Walter Barrett in 1928 and has stayed in the family since. What follows is the plain account of it.
Our Story

My grandfather Walter Barrett opened the shop in 1928, a short walk from the Boston Athenæum, and cut for many of its members. He believed a suit ought to outlast its first owner, and taught my father, and my father taught me.
We remain a small house: three cutters, an apprentice, and the same address on Charles Street we have kept for the better part of a century. Much of our work is quiet: a jacket taken in, a lapel restored, a father's dinner suit made to fit a son. Some of it is a new commission, cut from English or Italian cloth and finished by hand. All of it leaves in the condition we would expect for ourselves.
We have long been fortunate in our clientele. In recent years we have opened the book a little wider; new clients are welcome, and are treated no differently from those we have dressed for forty years.
Thomas Barrett, Head Cutter
Heritage

We are members of the Federation of Merchant Tailors, and Thomas is a lifetime associate of the Merchant Tailors and Designers Association of America. The house is a member in good standing of the Charles Street Association and the Beacon Hill Civic Association.
Press & Recognition
The Boston Globe
October 2023
In a city that has lost most of its old craft houses, Barrett & Sons is a quiet counterexample. Ninety-five years in the same room, doing the same thing, well.
The Rake
Spring 2022
Thomas Barrett cuts with a restraint that would not be out of place on Savile Row. The house is small, the book is discreet, and the work is uncommonly correct.
Boston Magazine
June 2021
Awarded annually since 2014. The judges' note in 2021: an editor's choice, unchallenged.
Permanent Style
March 2020
The shop is small and the manner is dry. The cut, and the finish, are of a standard I did not expect to find outside of London or Naples.
From the bench
A short editorial gallery of commissions on the bench. Cloth, cut, and finish, as they leave the cutting room.





